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Visualizing Science: Illustration and Beyond with Jen Christiansen

Where does illustrator end, and infographer begin? How does data visualization fit in? And what does science have to say about the design decisions we make? With the goal of strengthening connections between communities, Jen hopes to get folks thinking about what they can learn from — and teach to — different visual sub-disciplines within the broader orb of science communication.

We are excited to learn about the role of science illustration in data visualization as we continue to feature our virtual exhibition of science illustration, The Art of Nature.

Jen Christiansen, senior graphics editor at Scientific American

About the speaker: Jen Christiansen is senior graphics editor at Scientific American, where she art directs and produces illustrated information graphics and data visualizations. She completed undergraduate studies in geology and art at Smith College, then happily merged the two disciplines in the scientific illustration graduate program at UC Santa Cruz. She began her publishing career in NY at Scientific American in 1996, moved to DC to join the art department of National Geographic, spent four years as a freelance science communicator, then rejoined the SciAm team in 2007. She writes on topics ranging from reconciling her love for art and science, to her quest to learn more about the pulsar chart on Joy Division’s Unknown Pleasures album cover.

http://jenchristiansen.com/
https://blogs.scientificamerican.com/sa-visual/

Rockin’ Pop-Up: Geologic Time Part One

One of the greatest challenges for most people when it comes to understanding geology is the concept of time. When our lives are measured in minutes, hours, and days, what does 3-7 million years even mean? Or 4 billion years? Explore the conventions of geologic time during this week’s installment.

About the series: Join the Geology Gents, Gavin and Graham, for weekly conversations about rocks live on Facebook. Each week we’ll explore a different geologic topic, from Santa Cruz formations to tips for being a more effective rockhound. Graham Edwards and Gavin Piccione are PhD candidates in geochronology with the Department of Earth and Planetary Sciences at UC Santa Cruz.

Submit your questions ahead of time on Facebook or by emailing events@santacruzmuseum.org, or during the program live on Facebook. Feel free to include pictures of rocks you’d like identified! Pro-tip: the better the picture, the better the ID.

Watch Past Pop-Ups

Summer Solstice Sun Prints

A summer solstice sun print being made

Happy Summer Solstice! What better way to celebrate than creating art with sunlight? Follow along and harness the power of the sun to create your own sun prints using objects found in nature, construction paper, and sunlight.

Astronomically, the June solstice marks the first day of summer for the Northern Hemisphere, but many cultures consider this event to signal midsummer. This year, solstice occurs at 2:34 p.m. PDT on Saturday, June 20, 2020, which is the exact moment that the Earth’s North Pole is leaning most toward the sun.

The materials for a sun print laid out

Materials:
Construction paper
Nature objects

Optional:
Saran wrap
Plexiglass
Tape
Scissors

  1. Place object(s) on construction paper. If your object is heavy, like a rock, move on to step two! If it is lighter, like a feather or leaf, you may want to tape it down (masking tape works best), or put a piece of saran wrap or plexiglass over the paper (glass won’t work because it will block the UV rays from the sun, which we need to make our prints). You can also cut paper into shapes and tape them to your construction paper.
  2. Place paper under the sun. Since we’re doing this on the solstice, we’ll have many hours of daylight — more than any other day of the year! Hopefully we also have sunny skies with few clouds, which will make our project go faster. If not, however, that’s okay. Just leave your paper out longer. Give your project at least two hours in the sun. Place your paper on the ground and make sure everything is secure so that the wind won’t blow anything away.
  3. Remove objects and enjoy your artwork! Why do you think the sun changed the color of the paper? Why did the paper not change color where the objects were placed?
A small collection of sun prints

Post by Marisa

Video: Kelp and Conservation

This Collections Close-Up video explores two kinds of conservation: the preservation of biodiversity records in the form of marine algae specimens and the fight to save the kelp forests of the California Coast.

About the series: Zoom into the stories, secrets, and science of our collections during monthly webinars with Collections Manager Kathleen Aston. This live event is an extension of our monthly Collections Close-Up blog, with added insights and intrigue. Members are invited to participate in this program before it is made available to the general public as well as ask questions directly of Kathleen.

Not yet a member? Join today!

Resources:

Rockin’ Pop-Up: Chemical Sedimentary Rocks

This week the Geology Gents are rounding out our recent discussions about the three main rock types (igneous, sedimentary, and metamorphic) by digging a little deeper into sedimentary rocks. This week we’ll explore how sedimentary rocks can be further impacted by their environments, resulting in the phenomenon of chemical sedimentary rocks. Some well known examples are geodes and opals.

About the series: Join the Geology Gents, Gavin and Graham, for weekly conversations about rocks live on Facebook. Each week we’ll explore a different geologic topic, from Santa Cruz formations to tips for being a more effective rockhound. Graham Edwards and Gavin Piccione are PhD candidates in geochronology with the Department of Earth and Planetary Sciences at UC Santa Cruz.

Submit your questions ahead of time on Facebook or by emailing events@santacruzmuseum.org, or during the program live on Facebook. Feel free to include pictures of rocks you’d like identified! Pro-tip: the better the picture, the better the ID.

Watch Past Pop-Ups