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Rockin’ Pop-Up: What even IS North America?

Santa Cruz County is obviously a part of North America. Right?

Well, it’s a little more complicated than that. There’s the continent of North America, but there’s also the North American tectonic plate — where Santa Cruz County does not reside! While our neighbors in Los Gatos on the other side of the Santa Cruz Mountains are located on the North American Plate, Santa Cruz is located on the Pacific Plate.

There are lots of little (and really big!) geologic surprises across the continent. Join the Geology Gents for this North American road trip!

About the Series: Join the Geology Gents, Gavin and Graham, for monthly conversations about rocks live on Facebook. Each month we’ll explore a different geologic topic, from Santa Cruz formations to tips for being a more effective rockhound. Graham Edwards and Gavin Piccione are PhD candidates in geochronology with the Department of Earth and Planetary Sciences at UC Santa Cruz.

Submit your questions ahead of time by emailing events@santacruzmuseum.org and feel free to include pictures of rocks you’d like identified! Note: you do not need to have a Facebook account to be able to watch the program live.

Watch Past Pop-Ups
Read our blog Rock Record

CZU AND YOU

CZU AND YOU
Resources for Recovery, Preparedness, and Ecological Understanding from the Santa Cruz Museum of Natural History and Santa Cruz Public Libraries

August 2021

See more CZU AND YOU events

Fire and the Bonny Doon Ecological Reserve with Dr. Jodi McGraw

Many of our native plants in the Santa Cruz Mountains are fire adapted, from the familiar coast redwood (Sequoia sempervirens) to the extremely rare Santa Cruz cypress (Hesperocyparis abramsiana) and Santa Cruz wallflower (Erysimum teretifolium). However, decades of fire suppression have greatly reduced the frequency of fires in our region. The Bonny Doon Ecological Reserve is a rare example of a location that has burned multiple times in just over a decade: in 2008 during the Martin Fire and again in 2020 during the CZU Lightning Complex fires.

Join Dr. Jodi McGraw for an exploration of this unique Santa Cruz sandhills habitat, which is home to the Santa Cruz cypress and Santa Cruz wallflower, and what we’ve learned since the 2008 Martin Fire.

Resources

About the Speaker

Dr. Jodi McGraw is an ecologist who works on conservation projects throughout central coastal California. For the past 28 years, she has been studying the Santa Cruz Sandhills—a unique ecosystem found only in central Santa Cruz County, which supports numerous endangered plants and animals. Her research and conservation management work has addressed how fire can be both a tool and a threat to persistence of the endangered plants, including Santa Cruz cypress and Santa Cruz wallflower, and the native biodiversity in the sandhills.


This program is part of the series CZU AND YOU: Resources for Recovery, Preparedness, and Ecological Understanding from the Santa Cruz Museum of Natural History and Santa Cruz Public Libraries | August 2021

A Striking August: Lightning and Wildfires with Chris Giesige

Lightning flashes through purple clouds over the horizon glowing orange.

In August 2020, Northern California was ignited by a series of 650 wildfires spurred by dry lightning from rare, massive summer thunderstorms. Today, all of California is experiencing drought conditions and fire season is well underway.

On the one year anniversary of the lightning storms wildfire researcher and lightning scientist Chris Giesige presented on the weather and climate conditions that made the August 2020 lightning events possible and shared a peek at what the future may hold for wildfires in California. Explore how we classify the weather and atmospheric conditions that create fire weather and behavior, why those conditions aided the events of last August, and explore wildfire in California more generally.

Resources

About the Speaker

Chris Giesige has studied fire science and conducted lightning research for over a decade. His research is focused on wildfires and seasonal and short term lightning development during the summer through fall months. Through the WestCats Group, he and his team are currently working on developing a new sensor network for better lightning forecasting for wildfire events.


This program is part of the series CZU AND YOU: Resources for Recovery, Preparedness, and Ecological Understanding from the Santa Cruz Museum of Natural History and Santa Cruz Public Libraries | August 2021

Collections Close-Up: Preserving Cultural History After Fire with California State Parks

Many had to evacuate the Santa Cruz Mountains during the CZU Lightning Complex fires of August, 2020, including museums, visitor centers, and cultural heritage sites managed by California State Parks. Jenny Daly, museum curator for the Santa Cruz District of California State Parks, was part of a team that worked quickly to save artifacts from threatened State Parks, including Big Basin, Año Nuevo, and Wilder Ranch.

During this online event, learn about the immediate steps taken by State Parks to save our cultural history and the ongoing process of caring for objects impacted by the fires. Kathleen Aston, Collections Manager at the Santa Cruz Museum of Natural History, will also share how the Museum approaches natural disasters and collections, from Loma Prieta to ongoing efforts with the CZU Lightning Complex.

Photo of Mark Hylkema by Aric Crabb/Bay Area News Group.

About the Speaker

Jenny Daly, Museum Curator I for the California State Parks in the Santa Cruz District, grew up in Santa Cruz and is fortunate to live and work in her hometown. After transferring to UC Berkeley from Cabrillo College, Jenny received a double BA in Near Eastern Studies and Theater, Performance, and Dance Studies. The most valuable part of her time at Berkeley was the internship she had working with the Registrar at the Phoebe Hearst Museum of Anthropology where she became hooked on the idea of a career working in museums. Jenny then received a Master’s in Museum Studies from John F. Kennedy University and has worked in collections management at various institutions since then, including at the California Academy of Sciences, the Cantor Arts Center, and the Getty Center. Jenny was very excited to start working for the State Parks as a curator because it meant she could combine her love of Parks with her expertise in museum collections management.

This program is part of the Museum’s Member exclusive Collections Close-Up series and our August series in partnership with Santa Cruz Public Libraries, CZU AND YOU: Resources for Recovery, Preparedness, and Ecological Understanding.

Rockin’ Pop-Up: Great Geologic Goodbyes

Graham Edwards and Gavin Piccione with fossil

For over three years, the Geology Gents have been regular fixtures at the Museum — both online and in-person. For this month’s pop-up though, we say goodbye to Graham as he heads out to New Hampshire for his post-doctoral work at Dartmouth College. The good news is that he’ll remain a Geology Gent from afar and Rockin’ Pop-Ups will continue!

In honor of this milestone, Graham and Gavin will be exploring some “great geologic goodbyes” for this month’s pop-up — from extinction events to the dismantling of Pangea.

About the Series: Join the Geology Gents, Gavin and Graham, for monthly conversations about rocks live on Facebook. Each month we’ll explore a different geologic topic, from Santa Cruz formations to tips for being a more effective rockhound. Graham Edwards and Gavin Piccione are PhD candidates in geochronology with the Department of Earth and Planetary Sciences at UC Santa Cruz.

Submit your questions ahead of time by emailing events@santacruzmuseum.org and feel free to include pictures of rocks you’d like identified! Note: you do not need to have a Facebook account to be able to watch the program live.

Watch Past Pop-Ups
Read our blog Rock Record

Amah Mutsun Fire Relationships

Fire is many things to the Amah Mutsun and other California Indian Tribes — it is sacred, it is a tool gifted by Creator, and it is a way to restore balance to Mother Earth. This presentation will share more about how the Amah Mutsun are using fire to restore landscapes and relationships in the Santa Cruz mountains and beyond.

About the Speakers

Lawrence Atencio is the Native Stewardship Corps Field Manager for the Amah Mutsun Land Trust.

Marcella Luna is an Amah Mutsun Tribal Member, Native Stewardship Corps member, and sits on the Amah Mutsun Tribal Council.

The Amah Mutsun Land Trust is an initiative of the Amah Mutsun Tribal Band, which is the vehicle by which the Amah Mutsun access, protect, and steward lands that are integral to their identity and culture. The AMLT returns the tribe to their ancestral lands and restores their role as environmental stewards.

RESOURCES

Learn about the Amah Mutsun
Amah Mutsun Land Trust website
Amah Mutsun Tribal Band Website
Virtual Exhibit: First Peoples of California (curated with tribal input)

Upcoming events and volunteering
CZU AND YOU event series
CZU Lightning Complex and Community Science Project
Volunteering with the Amah Mutsun Land Trust

Learn about Amah Mutsun relationships with fire
Amah Mutsun Land Trust article: Revitalizing Indigenous Stewardship with Cultural Burning
Bay Nature article: Finding Signs of Recovery in Santa Cruz’z Redwood Forest
Bay Nature article: Rekindling the Old Ways

The Santa Cruz Museum of Natural History is located in the unceded territory of the Awaswas-speaking Uypi Tribe. The Amah Mutsun Tribal Band, comprised of the descendants of Indigenous people taken to missions Santa Cruz and San Juan Bautista during Spanish colonization of the Central Coast, is today working hard to restore traditional stewardship practices on these lands and heal from historical trauma.


This program is part of the series CZU AND YOU: Resources for Recovery, Preparedness, and Ecological Understanding from the Santa Cruz Museum of Natural History and Santa Cruz Public Libraries | August 2021

On the Rocks: Juneteenth Sorrel Spritz

For this month’s curated cocktail, we’re celebrating how culinary traditions represent one of our most fundamental relationships with the natural world.

The Sorrel Spritz is inspired by Juneteenth, the commemoration of the end of slavery in the United States, a holiday that is receiving more attention as an increasing number of institutions strive to acknowledge the contributions of Black American history and culture.

The holiday hails from June 19, 1865 — the day that Union troops announced to slaves in the remote Confederate state of Texas that the Emancipation Proclamation had technically freed them two years prior. While formerly enslaved folks still faced violence, forced labor, and other challenges, celebrations persisted and “June” and “19th” ultimately merged to become today’s Juneteenth.

Juneteenth celebrations take many forms, but commonly feature readings of the Emancipation Proclamation, parades, and lots of delicious food and drink. Crimson colored treats like red velvet and red colored punch are a staple. In her exploration of the origins of this tradition, Christina Ayele Djossa points to the longstanding use of the hibiscus plant for making tea in West Africa as a forerunner of these beverages.

Hibiscus sabdariffa, also called Roselle, is a flowering plant in Malvacaea, nicknamed the mallow or hibiscus family. Usually yellow flowering, it is the fleshy red calyx, a protective structure at the base of the flower, that is boiled for making hibiscus tea. Indigenous to Africa but now found throughout the world, its bright tangy flavor and rich red color make it a favorite in food traditions in the African Diaspora and beyond (for example, Jamaica aguas frescas).  

The Sorrel Spritz is based on a Jamaican Christmas punch that combines the delightful tartness of the hibiscus with the warming tones of cinnamon and cloves, and is then brightened up with some blood orange soda. The name “sorrel” comes from the Jamaican word for this plant, not to be confused with the leafy green herb.

Recipe

  • Boil one ounce hibiscus, four cloves, and one cinnamon stick in 1 ⅓ c water
  • Let sit for at least one hour
  • At this point you can drink this non-alcoholic version by itself, adding simple syrup and citrus to taste
  • For an alcoholic version, combine ¼ c hibiscus base, ¼ c rum, tablespoon of simple syrup, and teaspoon of lime juice with ice
  • Shake
  • Top with blood orange soda to taste
  • Garnish with orange wedge

Human Nature: In Relationship with California Rare Plants

California has more native plants than any other state, most of which are endemic to California (only found here). What’s more, over 1/3 of our native plants are also considered rare due to human development, climate change, habitat fragmentation, rare habitats, and other factors.

During this collaborative program where science meets art, we’ll learn about human relationships with nature from two rare plant lovers who engage with California’s unique flora in their own unique ways.

Barnali Ghosh, an immigrant storyteller and California landscape architect, has taken the native plant world by storm with a series of fashion self-portraits bridging home and homeland — re-creations of California native flowers, using fabrics and dance forms from India.

Amy Patten works with community scientists to document rare plant populations throughout California through her role as Rare Plant Treasure Hunt Manager with the California Native Plant Society. She also captures the flora and fauna around her through the art of photography.

Barnali Ghosh has featured several of Amy Patten’s photographs of native plants in her self-portraits.

Resources

This program is in support of our current exhibition of science illustration, The Art of Nature, and the CZU Lightning Complex and Community Science Project.

Collections Close-Up: Beautiful Benitoite

Not all that glitters is gold — sometimes it’s benitoite! So discovered prospector James Couch, when in 1907 he encountered some sparkling specimens of what would one day become the California state gem. While gold looms large in the story of our state, the unique geology of California has gifted us many other magnificent rocks and minerals. From cinnabar to serpentinite, we are delighted to share these with the public once more in our classic California minerals exhibit. We are fortunate enough to have one specimen of rare benitoite on display, and for this month’s close-up, we’ll zoom in on our only other specimen, safely secured in storage.

Benitoite specimen from the Museum’s collections.

Our second benoite specimen is hosted by a chunk of blueschist that amounts to the size of a large hamburger. Brilliant blue sparkles alert us to the presence of benitoite, or barium titanium silicate (BaTiSi₃O₉). These are nestled alongside black sprinkles of neptunite in a white, almost fuzzy looking layer of natrolite. Blue, black, and white, each of these substances is its own mineral, a naturally occurring inorganic element or compound with a characteristic structure. 

These minerals and their blueschist host rock come from the guts of the southern end of the Diablo Range. Millions of years ago, unusual combinations of hydrothermal fluids seeped into the cracks of the blueschist found within metamorphosed serpentinite, forming a variety of rare minerals including benitoite, neptunite, natrolite, joaquinite and others. And while benitoite is found in a few places around the world, this section of the California Coast Range geologic province in southeastern San Benito County is the only place in the world where gem quality benitoite crystals are found.

It’s also the first place where benitoite was found. There are some complex claims to the initial discovery, but the most widely accepted story begins with failed melon farmer James Couch prospecting outside Coalinga on behalf of investor R. W. Dallas. In December of 1907, Couch noticed some blue sparkling stones he thought to be sapphire. In the subsequent months, Dallas looped in a few dealers and gem cutters, who offered different identifications, including an expert in Los Angeles who thought it was volcanic glass (perhaps because of it’s conchoidal fractures). By the time a sample made its way to San Francisco, a lapidary who thought the stone was spinel showed it to a friend, who sent it to UC Berkeley mineralogist Dr. George Louderback

Dr. Louderback investigated the sample, finding it too soft to be either spinel or sapphire. Upon examination, Louderback identified the specimen for what it was – a new substance to science, and named it Benitoite, after the San Benito river which ran through the area of the mining claim. He soon journeyed to the Dallas Mine, where operations had already started, to study benitoite’s geological context. The paper he published describing benitoite’s mode of occurrence also includes the first published photos of benitoite and early photos of the mine.

Benitoite Mineral Specimen and Gems (Louderback, 1909)

The paper describes a lot of the properties that make benitoite exciting – including the high refractive indices and strong dispersion that make it especially sparkly (although you have to go elsewhere to learn about benitoite’s stunning fluorescence). It is still described by many sources as one of the “finest” descriptions of a new mineral species to be written. It’s worth noting that benitoite, while new to science, was nonetheless the embodiment of a scientific prediction that had been made decades prior. It exhibits a ditrigonal-dipyramidal crystal habit, a shape that looks sort of like someone glued the bottoms of two triangular pyramids together, within the hexagonal crystal class. This was the first time such a form was found naturally occurring, one of only thirty-two possible classes of crystal shapes mathematically predicted by Leipzig crystallographer J.F.C. Hessel in 1830.

Open Cut Benioite Mine 1908 (Louderback, 1909)

Even as the true nature of benitoite was unfolding, commercial operations quickly emerged at what was first called the Dallas Mine. Over the decades the mine has seen varying techniques and levels of productivity. In the earliest years, folks were after the largest possible gems and they wanted them fast. This meant hacking off a lot of big knobs of crystal that were initially covered, due to the way the mineral veins had formed within the blueschist, in a fine layer of natrolite. Waiting to dissolve the natrolite in acid, which could happen with no harm to the benitoite, took too long. This meant that a lot of well crystalized mineral specimens within their original rock matrix were broken up and made into gems. Fortunately, some whole specimens remain, and the museum purchased the specimen featured in our Collections Close-Up from San Francisco based J. Gissler in the late 1930s.

Our display specimen was also purchased in the 1930s. This specimen has been exhibited since 1985, the very year that Californian’s made benitoite their state gem to celebrate its beauty and uniquely California story. And though the history of this mineral is part of it’s charm, mineral discovery is not a thing of the past. Scientists continue to discover new minerals as the result of current field work, or even through fresh understandings of preserved museum specimens.

For more on benitoite and it’s geological and cultural history, join our Collections Close-Up conversation with Professor Hilde Schwartz on June 10.